Behringer poly d analog polyphonic synthesizer

BEHRINGER POLY D ANALOG POLYPHONIC SYNTHESIZER PORTABLE

Owning a POLY D is like having your own personal time machine, enabling you to freely embrace the past вЂ“ or shape the future! The pure analog signal path is based on authentic VCO, VCF, VCA and ladder filter designs in conjunction with a dedicated and fully analog triangle/square wave LFO. An ultra-affordable homage to that iconic synthesizer, with all the features of the original and then some, the Behringer POLY D lets you conjure up virtually any monophonic or polyphonic sound imaginable with incredible finesse and ease.

BEHRINGER POLY D ANALOG POLYPHONIC SYNTHESIZER PORTABLE

The 1970s spawned the first truly portable analog synthesizer, and while it was quickly adopted by lots of renowned musical artists including Jan Hammer, Chick Corea, Rick Wakeman, Jean-Michel Jarre, Isao Tomita and Keith Emerson to name a few, it was somewhat temperamental and very expensive. 'Analog 4-Voice Polyphonic Synthesizer with 37 Full-Size Keys, 4 VCOs, Classic Ladder Filter, LFO, BBD Stereo Chorus, Distortion, 32-Step Sequencer and Arpeggiator' Side note: Apparently Behringer is on Amazon now. An original Minimoog on the lap would get heavy fast. If it's light enough, you might even be able to kick back on a couch with it. That said, it is a step ahead of a standard Minimoog - 4 vs 3 VCOs with the ability to play paraphonically. You can't have a fully separate voice with independent filters, envelopes, etc like on a truly polyphonic synth. Paraphonic in that they share the same filter, envelopes, etc. There are 4 VCOs, so you can set them to trigger one at a time for 4 voice paraphonic polyphony. Note the POLY D is more like a Mono/Poly in how you stack/route the oscillators.

Behringer poly d analog polyphonic synthesizer