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Photography/Index 25 Image + Text: Reconsidering Photography in Contemporary Art Liz Kotz Mass Culture, High/Low 24 вЂњThatвЂ™s All FolksвЂќ: Contemporary Art and Popular Culture Nick Mirzoeff Visual Culture 23 Visual Culture Studies: Questions of History, Theory, and Practice Marquard Smith Postcolonial Theory 22 вЂњFragments of Collapsing SpaceвЂќ: Postcolonial Theory and Contemporary Art Mark Crinson Poststructuralism 21 Poststructuralism and Contemporary Art, Past, Present, Future. Race/Ethnicity 18 Implications of Blackness in Contemporary Art Pauline de SouzaД®mbodiment 19 The Paradoxical Bodies of Contemporary Art Christine RossДў0 A Shadow of Marx Neil Cummings and Marysia Lewandowska Part V: Identity/Subjectivity The Artist 14 The Writerly Artist: Beautiful, Boring, and Blue Carol MavorДiaspora 15 Diaspora: Multiple Practices, Multiple Worldviews Steven NelsonДЇeminism 16 Power and Pleasure: Feminist Art Practice and Theory in the United States and Britain Laura Meyer

KatzДЄrt and Its Public(s) 13 Crowds and Connoisseurs: Art and the Public Sphere in America Grant Kester JonesДЄrt as Idea 8 Re-Thinking the вЂњDuchamp EffectвЂќ David HopkinsД«eauty 9 Regarding Beauty Margaret Morgan Part IV:ДЄvant-Garde 10 Avant-Garde: A Historiography of a Critical Concept Johanne LamoureuxДЄctivism 11 Facture for Change: US Activist Art since 1950 Jennifer GonzГЎlez and Adrienne PosnerД¬ulture Wars 12 вЂњThe Senators Were RevoltedвЂќ: Homophobia and the Culture Wars Jonathan D. Sayre Part III:ДЇormalism 7 Form and Formless Caroline A. вЂќ: Art in the 1970s Sam GathercoleДЎ980вЂ“90 5 Pictures and Positions in the 1980s Howard SingermanДЎ990вЂ“2005 6 1990вЂ“2005: In the Clutches of Time Henry M. Part II: Decades 1945вЂ“60 2 вЂњAmericaвЂќ and its Discontents: Art and Politics 1945вЂ“60 Gavin ButtДЎ960вЂ“70 s: A Decade Out-of-Bounds Anna DezeuzeДЎ970вЂ“80 4 вЂњIвЂ™m sort of sliding around in place. For further information on Blackwell Publishing, visit our website: CTC-A01ДЎ Writing Contemporary Art into History, a Paradox? Amelia Jones Furthermore, the publisher ensures that the text paper and cover board used have met acceptable environmental accreditation standards. Set in 10.5/13pt Galliard by Graphicraft Ltd, Hong Kong Printed and bound in the United Kingdom by TJ International Ltd, Padstow, Cornwall The publisherвЂ™s policy is to use permanent paper from mills that operate a sustainable forestry policy, and which has been manufactured from pulp processed using acid-free and elementary chlorine-free practices.

(Blackwell companions in art history) Includes bibliographical references and index.

First published 2006 by Blackwell Publishing Library of Congress Cataloging-in-Publication Data A companion to contemporary art since 1945 / edited by Amelia Jones. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs, and Patents Act 1988, without the prior permission of the publisher. В© 2006 by Blackwell Publishing Ltd blackwell publishing 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford OX4 2DQ, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right of Amelia Jones to be identified as the Author of the Editorial Material in this Work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988. 1 A Companion to Contemporary Art since 1945 Edited by Amelia Jones 2 A Companion to Medieval Art Edited by Conrad Rudolph

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Representing the best of the scholarship governing the field and pointing toward future trends and across disciplines, the Blackwell Companions to Art History series provides a magisterial, state-of-the-art synthesis of art history.

Each volume brings together a team of respected international scholars to debate the state of research within traditional subfields of art history as well as in more innovative, thematic configurations. A Companion to Contemporary Art since 1945Д«LACKWELL COMPANIONS TO ART HISTORY These invigorating reference volumes chart the influence of key ideas, discourses, and theories on art, and the way that it is taught, thought of, and talked about throughout the English-speaking world.